盛世再启 共“印”辉煌——2021年文化强国宣传大使李成印

　　李成印,1948年10月出生于书香世家,祖籍山东东平,大专文化。1993年在中央党校进修期间,与启功先生相识,为其今后书法事业的发展奠定了坚实基础。被国内外朋友誉为德艺双馨艺术家。

　　Li Chengyin, born in October 1948 in a scholarly family, was born in Dongping, Shandong Province. In 1993, during his further study at the Central Party School, he met Mr. Qi Gong, which laid a solid foundation for his future development of calligraphy. It is praised by friends at home and abroad as an artist with both virtue and art.

　　李成印作品

　　现为中国书法家协会会员、中国人民艺术家协会会员、国家一级书法师、国家民族画院书法家、中国民族建筑研究会书画艺术专业委员会副主席、中视频书画院院士、组委会理事、中国国际艺术家学会副主席,中国梁楷书画院名誉院长、中国长城研究学院名誉院士、中国国画艺术研究院副秘书长、泰安市书协名誉主席。

　　He is currently a member of Chinese Calligraphers Association, Chinese People's Artists Association, a national first-class calligrapher, calligrapher of National National Painting Academy, vice chairman of national architecture institute of china Painting and Calligraphy Professional Committee, academician of China Video Painting and Calligraphy Institute, director of organizing committee, vice chairman of China International Artists Association, honorary president of China Liang Kai Painting and Calligraphy Institute, honorary academician of China Great Wall Research Institute, deputy secretary-general of China Traditional Chinese Painting Art Institute and honorary chairman of Tai 'an Book Association.

　　李成印作品

　　作品多次入展获奖:2006年入展中国书协全国第六届刻字艺术展;2007年入展中国书协首届全国老年书法展,作品被收藏;同年,《黄河颂》书法作品被抗日战争纪念馆永久收藏;2008年入展“长城杯”书画展,荣获金奖,作品被收藏;2009年作品在“当代中国书画家与收藏家”北京交流展中获一等奖,被永久收藏;2010年作品在“北戴河杯”大赛中荣获金奖,并被收藏;2011年作品捐赠中国书协举办的“绿化长江——万亩中国书法生态林工程”;2012年被山东省文联、山东省书协授予“德艺双馨艺术家”荣誉称号;2013年被中国百家权威网络媒体联合推选为“当代书画十大家”“中国梦之书画界十大领军人物”,12月作品选入《中国当代艺术名家》一书。2014年至今作品入展国内多个展会,受到极高的赞誉和广泛的关注。

　　His works have won many awards: in 2006, he entered the sixth national lettering art exhibition of China Book Association; In 2007, he entered the first National Calligraphy Exhibition of the Chinese Book Association, and his works were collected; In the same year, the calligraphy works of Huang He Song were permanently collected by the Anti-Japanese War Memorial Hall; In 2008, he entered the "Great Wall Cup" Painting and Calligraphy Exhibition and won the gold medal. His works were collected; In 2009, the work won the first prize in the Beijing Exchange Exhibition of "Contemporary Chinese Painters and Collectors" and was permanently collected; In 2010, the work won the gold medal in the "Beidaihe Cup" competition and was collected; In 2011, the work was donated to the "Greening the Yangtze River-10,000 mu of Chinese calligraphy ecological forest project" organized by the Chinese Book Association; In 2012, he was awarded the honorary title of "De Yi Shuang Xin Artist" by Shandong Federation of Literary and Art Circles and Shandong Book Association; In 2013, he was jointly selected as "Top Ten Contemporary Painting and Calligraphy" and "Top Ten Leading Figures in Chinese Dream Painting and Calligraphy" by hundreds of authoritative online media in China, and his works were selected as "Famous Chinese Contemporary Art Masters" in December. Since 2014, his works have been exhibited in many domestic exhibitions, which have received high praise and wide attention.

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　　所谓人书俱老,就是指作品的整体气势,好比一个人整体给人的感觉。一个人整体给人的感觉,也是由内而外综合展现出来。内指涵养,学识等,外指着装,面貌等。书法整体表现也是如此,由点画,字体结构这种外形的变化往来交织的表现;再与行句每一个部分之间的联系构成,最终结果给我们呈现出静穆、飞动、平正、险绝、雄强。细研李成印老师的作品,给人一种字是有生命的,恰恰是这种有生命的字体才给笔者读来一种内含力量的张力观感。李成印老师创作时既讲笔法又讲笔势,下笔时点如坠石,划如夏云,钩如屈金,纵横有象,低昂有态,这样的书法强劲也表现在其生命之中,在艺术境遇与生存现实中,毅然的选择了书法,在实用主义盛行的社会基层,为理想奋斗,为理想生活本身就具有十分悲壮的英雄主义色彩,恰恰是这种精神也就决定了他的诸多选择往往不同寻常。

　　The so-called old books mean the overall momentum of the work, which is like the feeling given by a person as a whole. The feeling given by a person as a whole is also comprehensively displayed from the inside out. Internal self-restraint, knowledge, etc., external self-restraint, appearance, etc. The whole performance of calligraphy is also the same, which is interwoven by the change of shape such as stippling and font structure; Then, it forms a connection with each part of the line sentence, and the final result shows us quietness, flying, fairness, danger and strength. A careful study of Mr. Li Chengyin's works gives people a kind of character that is alive, and it is this kind of living font that gives the author a sense of tension with inner strength. Teacher Li Chengyin talked about both brushwork and brushwork when writing. When writing, it was like falling stone, drawing like Xia Yun, hooking like Qu Jin, vertical and horizontal images, and having a low attitude. This kind of calligraphy is also reflected in his life. In the artistic situation and living reality, he resolutely chose calligraphy. In the social grassroots where pragmatism prevailed, he struggled for his ideals and lived for his ideal life, which has a very tragic and heroic color. It is precisely this spirit that determines his many choices.

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　　不朽的经典往往既渗透着历史的积淀和哲理的体验,又蕴涵着时代的理想和孕育着时代的精神。不善于继承,就没有创新的基础;不善于创新,就缺乏继承的活力。书法是源于写字而高于写字,书法是写字的艺术。艺术追求的是精神的自由与情感的交融。书法艺术主要是通过线条的变化以及空间分割变化来实现情绪的变化。李成印老师的作品就是如此,留白处有宽有窄,宽处给人以豁然开朗之感,窄处给人以柳暗花明的重逢,这就是他的作品迥乎于其他书法家的魅力所在之一,他的书法有唐朝遗韵,并且味道颇浓,从他的行书作品可以清楚地看到这一点,他的行书有颜体字的浑厚大气,行笔迅捷,笔路清晰可循,平稳端庄,虽然为行书但亦有楷书的稳重之感,在用笔上十分讲究,特点也比较鲜明,善用浓墨,墨色相对重,很少有淡墨或者枯笔出现,字迹大小相互错落,布局相对比较紧密,而这正是老师在继承基础上的创新。

　　Immortal classics not only permeate the historical accumulation and philosophical experience, but also contain the ideal and spirit of the times. If you are not good at inheritance, there is no foundation for innovation; If you are not good at innovation, you will lack the vitality of inheritance. Calligraphy originates from writing and is higher than writing. Calligraphy is the art of writing. Art pursues the blending of spiritual freedom and emotion. Calligraphy art mainly realizes emotional changes through the changes of lines and space segmentation. This is the case with Teacher Li Chengyin's works. The blank space is wide and narrow. The wide space gives people a feeling of being suddenly enlightened, and the narrow space gives people a reunion of the dark flowers. This is one of the charms of his works. His calligraphy has the charm of Tang Dynasty and has a strong taste. This can be clearly seen from his running script works. His running script has a rich atmosphere of style and characters, and it is fast and clear to follow. Although it is a running script, it also has a sense of stability in regular script. It is very particular about the use of pens, and its characteristics are quite distinct. It makes good use of thick ink, which is relatively heavy, rarely appears light ink or dead pen, and the handwriting sizes are scattered with each other, and the layout is relatively close, which is the innovation of teachers on the basis of inheritance.

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　　宣德道情文乃贵,明微谨始礼为宗。 艺术是空灵的,也是内心的, 莫道尺幅小,眼角天地宽。在李成印老师的作品里,每一幅作品都记录着一个时代,见证着一段历史,举起爱国主义精神传承的火炬;诉说文化的传承,创作一幅作品,表达一种演绎,镌刻着老一辈读书人在“不忘初心,牢记使命”总战略引领下加快实现中华民族伟大复兴的坚实步伐。

　　Xuande Daoqing Wen is expensive, and Mingwei would like to start the ceremony as Zong. Art is ethereal and inner, with a small ruler and wide eyes. In the works of Teacher Li Chengyin, each work records an era, witnesses a period of history, and lifts the torch of patriotism; Telling the inheritance of culture, creating a work, expressing a kind of deduction, engraved with the solid pace of accelerating the great rejuvenation of the Chinese nation under the guidance of the general strategy of "Do not forget your initiative mind, keep in mind the mission".

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